Thursday, May 14, 2009

Heart of Darkness Poems

Escape (8)

 

fallaces sunt rerum species 
The appearances of things are deceptive.

        Bound on other conquests. (5)

Leading up  the hill, (23)

followed the sea, (5)

down stony hills, (31)

over the empty land. (31)

        Human beings (100), hospitable and festive. (22)

 As if by enchantment (100)

 At the image of (103) the pensive forest (100)

We left at noon (113)

So. Farewell. (23)

 

Part II

His Plans (124)

 

        Ordinary man, (95)

factitious no doubt. (102)

Human beings, (100)

nothing but black shadows, (26)

savage or simply mean. (80)

        Shoot you (95) without (8)

adequate motive. (52)

        Save the ivory, (104)

they (9) fancy for it. (95)

The horror! (125)

 

Part III

Depths of the Forest (94)

 

        Darkness was here yesterday. (7)

Deal with this shadow (107) confused. (108)

        Black shapes (26) near the same tree. (27)

Human beings, (100)

Like the wilderness itself. (103)

Embrace (103)

intense blackness. (108)

        Having a look around, (108)

Then stop to listen, (110)

in this fog. (67)

 

The Plumber

The Plumber[A1] [A2] 

By Andy Vo

 

Super Mario [A3] drops though

pipes in world 1-1[A4] 

heavy breathing,[A5] 

and an exhausted face[A6] .

 

His blue overall worn

by jumping on goombas.

[A7] 

His hat charred burnt

by the flames of Bowser,

[A8] as his fireballs, bouncing

off to the distance,

knocking down any koopa.

 

Mario is embarrassed[A9] ,

of rushing into empty castles,

to only hear,

I’m sorry Mario

But the princess is in another castle.

[A10] 

 

 


 [A1]I am trying to make a poem similar to “Flames.” In the way Collins introduce more and more of the character in his own twist

 [A2]I try to keep the title vague to give the reader a chance to think and guess what the poem is about. It is similar to Collins’s other poems.

 [A3]I first introduce a character that is well known to the public. This gives the reader to imagine and picture the character first before I place my twist on it similarly to Collins.

 [A4]The first few lines introduces and image that supports the image of most people, only to completely change in a few lines later.

 [A5]I tried to give some characterization to Mario by making him more human. In the end it gives a little humor because it would be funny to imagine Mario tired.

 [A6]I placed my own twist on Mario at this point. Similar to Collins, I am describing more of the character and surprising the reader with a different image.

 [A7]Similar to “Flames.” He separates each sentence to its own stanza, while splitting the sentence to small lines.

 [A8]I try to be descriptive similar to Collins.

 [A9]By giving Mario emotion, it conflicts with the image of Mario in most people’s minds. It is similar to Collins’s description of Smokey the Bear.

 [A10]I am trying to get some humor by bringing in the famous line in the Super Mario games. 

Billy Collins poems used in the Research

Flames
By Billy Collins

Smokey the Bear heads
into the autumn woods
with a red can of gasoline
[A1] and a box of wooden matches.

His ranger's hat is cocked
at a disturbing angle
[A2] .

His brown fur gleams
under the high sun
as his paws, the size
of catcher's mitts,
crackle into the distance.

He is sick of dispensing
warnings to the careless,
the half-wit camper
[A3] ,
the dumbbell hiker.

He is going to show them
how a professional does it
[A4] .

 

 

 

 

 

 

 

 

 

 

 

The Country

Billy Collins

I wondered about you
when you told me never to leave
a box of wooden, strike-anywhere matches
lying around the house because the mice

might get into them and start a fire.
But your face was absolutely straight
when you twisted the lid down on the round tin
where the matches, you said, are always stowed.

Who could sleep that night?
Who could whisk away the thought
of one unlikely mouse
padding along a cold water pipe

behind the floral wallpaper
gripping a single wooden match
between the needles of his teeth?
Who could not see him rounding a corner,

the blue tip scratching against a rough-hewn beam,
the sudden flare, and the creature
for one bright, shining moment
suddenly thrust ahead of his time-
[A5] 

now a fire-starter, now a torchbearer
in a forgotten ritual, little brown druid
illuminating some ancient night.
[A6] 
Who could fail to notice,

lit up in the blazing insulation[A7] 
the tiny looks of wonderment on the faces
of his fellow mice
[A8] , onetime inhabitants
of what once was your house in the country?
[A9] 

 

 

 

 

Another reason why I don't keep a gun in the house
[A10] By Billy Collins

The neighbors' dog will not stop barking.
[A11] He is barking the same high, rhythmic bark
that he barks every time they leave the house.
They must switch him on on their way out.
[A12] 

The neighbors' dog will not stop barking.
I close all the windows in the house
and put on a Beethoven symphony full blast
but I can still hear him muffled under the music,
barking, barking, barking
[A13] ,

and now I can see him sitting in the orchestra,
[A14] his head raised confidently as if Beethoven
had included a part for barking dog.

When the record finally ends he is still barking,
sitting there in the oboe section barking,
his eyes fixed on the conductor who is
entreating him with his baton

while the other musicians listen in respectful
silence to the famous barking dog solo
[A15] ,
that endless coda that first established
Beethoven as an innovative genius
[A16] .


 [A1]This is a very conflicting image with the Smokey the Bear we imagine in our heads. It is actually pretty funny to think of a fed up bear caring a can of gasoline.

 [A2]Once again, Collins gives us an conflicting image of the bear we know. Having the bear wear his hat in a “disturbing angle” sounds funny and at the same time gives shady image of the bear.

 [A3]A rather dim way to look at humanity.

 [A4]It is very ironic how Smokey the Bear is now the one creating forest fires. The irony makes it funny to the reader. However it gives the message that humans are careless enough to cause even Smokey to be fed up.

 [A5]It sounds like the mouse is gaining a more complex mind. It is like the discovery of fire.

 [A6]The mouse sounds like a start of a revolution.

 [A7]House burning down?

 [A8]This is a funny thought actually. It is funny to imagine mice in amazement and celebrating over the discovery of fire.

 [A9]I wonder what this statement means. Could it be the house burn down? Could this mean the mouse jump so far ahead of its time it now owns the house.

 [A10]After reading the poem, it is a rather funny title.

 [A11]A very relatable theme to anyone he lived next to a loud dog.

 [A12]Some humor here.

 [A13]Sounds a little insane, but in a funny way.

 [A14]It is funny to imagine the dog in the middle of the orchestra acting like Beethoven.

 [A15]Making fun of the loud and annoying barking.

 [A16]Comparing the dog to Beethoven. Are humans the dog? Or is he still making fun of the dog?

The Down To Earth Billy Collins


The Down To Earth Billy Collins

 

            Billy Collins is a poet who writes poems that easily connect to the public because of his simple diction, his relatable themes, and humor. In many of his poems he uses these techniques of poetry grasp the everyday reader’s attention and have them think and laugh.

            Growing up, Billy Collins’s poetry was greatly influenced by his parent’s personalities. His father’s sense of humor and his mother’s knowledge of poems influenced him to become the great American poet he is today. In a small video clip, Collins describes his mother and father and their personalities. He stated that he was influenced by his “father, for his sense of humor, for he was a joker.” (Re: Who are you?) Collins said that his father had a “zinger” for nearly every occasion. Collin’s father did practical jokes as well to his co-workers that would classify as “physiological harassment.” (Re: Who are you?) His mother’s interest in poetry also influenced the path in life he chose today. When Collins’s mother was a “child she memorized lots of poetry, so as an adult she was a ‘storehouse’ of poetry.” (Re: Who are you?)  Just as his father had a zinger for every occasion his mother had a line of poetry for every occasion.           

            Collins was also influenced by teachers. Some of his teachers encouraged him to continue writing his poetry, while other teachers doubted his ability, calling his poems “teenage hormonal overdrive or overspill.” (Re: Who are you?)  Collins stated the teachers he remembered “vividly, were the two or three teachers who were very discouraging to [him]…” (Re: Who are you?)  His teacher’s doubt caused him to keep writing because he believes that he has “a much keener appetite for revenge than [he does] for approval.” (Re: Who are you?) He said that once he became the poet Laureate of the United States, it “added a little bit of sugar to the experience.”(Re: Who are you?)  

In the poem “Flames” by Billy Collins uses descriptive diction, relatable themes, and humor to connect with his readers. An everyday reader can read the poem and instantly see the deeper meaning behind it.

The descriptive diction used in the poem to allow the reader to easily envision Smokey. Collins vividly describes Smokey with a different image to what most readers would imagine. Collins creates an image of Smokey with his ranger hat “cocked at a disturbing angle.” (Collins 6) Collins continues and goes into deep detail about Smokey’s brown fur as it “gleams and the high sun.” (Collins 7) The descriptive diction surprises the reader by contrasting the normal image of Smokey the bear and causes the reader to become interested.

            The theme about human’s lack of concern for nature is also an easily relatable theme for the average reader. The theme centers around the lack of consideration for the environment uneducated people have. By using the image of Smokey the Bear, the image already in the head of the majority of the readers allow the reader to picture Smokey. The condition of the environment is a pressing issue in today’s society. People are concerned with the environment, and because of that, the theme is easily relatable. Without a theme that can be easily picked up, less people will be able to connect with the poem “Flames.”

            Billy Collins’s use of humor entertains his readers as they read the poem. The irony of the poem allows the reader to envision Smokey and laugh a little. The first image of Smokey is a jolly and caring bear urging campers to be vigilant about forest fires. However, in the poem, Collins creates rather ironic image of Smokey with “a red can of gasoline and a box of wooden matches.” (Collins 4) The once jolly and caring bear is now replaced with a bear with “His ranger's hat is cocked at a disturbing angle.” (Collins 6) The highly contrasting image of Collin’s Smokey to the Smokey that everyone envisions creates an ironic difference. The use of humor allows any reader to enjoy the poem.

            In the poem “The Country” by Billy Collins, Collins once again uses descriptive diction, relatable themes, and imaginative humor to connect with his readers.

            Collins writes his poem with a heavy amount of description about what the speaker sees, thinks, or imagines. When the speaker was looking at his father, he noticed the father’s face “was absolutely straight when [he] twisted the lid down on the round tin.” (Collins 6) When the speaker imagines the rat rounding a corner and scratching “the blue tip scratching against a rough-hewn beam” (Collins 13) the reader can imagine exactly what the speaker is imagining. Collins’s simple yet descriptive diction allows the reader to able to emerge himself into the speaker’s mind.

           “The Country” is a poem about a person reminiscing about his childhood and the things his father said to him. For many of the readers, it is a relatable topic. People often think about their childhood and their parent’s lessons. The poem allows readers to tap into the wild imagination readers had when they were a child. By connecting the theme back to childhood, the poem becomes easily relatable and enjoyable to read.

            Collins also uses imaginative humor to keep the reader engaged in the poem. The poem introduces an unlikely possibility of a mouse getting a match stick and starting a fire in the house. Even though readers will find the unlikelihood of the event humorous, imagining the mouse accidently lighting the match and becoming “a fire-starter, now a torchbearer in a forgotten ritual, little brown druid illuminating some ancient night,” (Collins 20) brings up even a more unlikely story. The random and abnormal imagination entertains the reader by giving comical image of “the tiny looks of wonderment on the faces of his fellow mice.”(Collins 27) Collins’s humor in the poem grasps the attention of any reader and easily connects to them.

            Lastly, the poem “Another Reason why I don’t keep a Gun in the House” is another prime example of how Collins’s uses his informal diction, relatable life problems and, sarcastic humor to grab the attention of the readers and connect to them.  

            Collins uses informal diction to easily connect with his readers. The whole poem seems like a comedy act just to give a simple and comical complaint. He uses terms like “they must switch him on on the way out.” (Collins 4) The term is sarcastic and sounds like something a down to earth person would say. The speaker complains about the constant “barking, barking, barking.” (Collins 9) Repeating the word shows the speaker is expressing his aggrevation. The way the speaker talks about his feels gives him the image of a relatable human being. Using the simple and informal diction, the speaker connects with the reader by being human.

            By building a poem about relatable life problems, the average reader can easily relate to the problems. The constant and annoying barking of a dog is a problem for anyone living close to one. The poem speaks to people who endured the endeavor. The reader can see and feel his aggregation in the way he “close all the windows in the house and put on a Beethoven symphony full blast.” (Collins 7) However the constant barking still breaks though the barriers the speaker uses to block the sound. Much like in real life, the loud barking invades the peaceful life to the point he can “now I can see him sitting in the orchestra, his head raised confidently as if Beethoven had included a part for barking dog.” (Collins 10) The use of a relatable topic allows the reader to understand the poem and relate to the speaker.

            The use of sarcastic humor also grabs the attention of the reader and brings them in. Even from the title “Another Reason Why I don’t Keep a Gun in the House,” is a rather amusing title. The title it self is amusing for the fact that the speaker would not actually shoot the dog if he had a gun. The title’s exaggeration makes it amusing and interesting. The sarcastic tone that gives the image of the dog as it sits “there in the oboe section barking, his eyes fixed on the conductor who is entreating him with his baton,” (Collins 17) is a humorous exaggeration of the dog constant bark. Collins’s use of the sarcastic humor easily shows the emotion of speaker, giving him human qualities, as well as entertaining the readers.

            Billy Collins parents and teachers gave him the upbringing needed to become the poet he is. He continually creates poems that readers can easily relate to and laugh at. His poems makes readers wonder about our existence and impact to the world. “Flames” brings to light the inconsiderate actions of humans to the environment. “The Country” makes reader wonder about the length of our existence or if humans can be easily replaced. “Another Reason Why I don’t Keep a Gun in the House,” makes the reader ask if humans are similar to the dog by being not able to stop talking. Billy Collins creates simple and engaging poems with deep meaning in them. The simple language, relatable topics, and humorous styles bring the readers in at the same time entertains them. Only after the reader is enchanted by poem does the reader see the deeper meaning in them. His poems allow the average reader to become interested and give readers a chance to think. Billy Collins’s poems allow any person to understand and relate to his poems as well as giving a deep meaning. His poems are perfect for people looking for an entertaining poem or for people trying to get into poetry.

Art Page 92


Page 92

 

            On page 92 of Tom Phillips' A Humument, Phillips shows that life is made by events in short bursts and that nothing lasts forever by using contrast of colors, one word lines, and the shapes that appear on the page. Each of these techniques Philips uses gives allows the eyes to easily see the quick and random bursts of colors and allows the viewers to see that verbs in the red explosions are powerful but swift. The image can be related to life, in which events in life can be powerful but swift.

           

            Philips uses the contrasts of the blue, green, and red to give a contrast between the calm parts of the page and the exciting parts of the page. The blue on the page is a very relaxed color that many viewers can relate to as a calm color. The blue allows the red and green colors to stand out and make a strong statement in front of the blue. The red, which is usually associated with fire, passion, and energy, easily stands out in front of the blue back ground. The strip of green also separates its self from all the other colors by differentiating from the red and blue. The strip of green gives a break from the calm blue as well as the bursts of red. The colors are similar to life. The blue is the relaxed and calm parts of life. The exciting parts of life are like the red in the page, in which it breaks apart the relaxed blue. All the colors, or elements of life, are never continuous, giving the message that a part of life is never continuous.

 

            Philips also uses quick, short, and positive words to further support the fact that life is never continuously one thing. All the one word lines like “feel,” “confide,” and “enjoy,” are all verbs promoting living life. The words are given in quick and sudden bursts showing how fast each word pops up and move on. Each of the words is spread randomly over the page, never in a constant order. The words are all different as well. Similar to life, everyday is a new day. Each day will not have the same placement and will not have the same meaning. The peculiar line in the middle of the page also supports Philips’ message. The small volume published by the speaker was soon forgotten because life moves on without our control. The short, quick, and meaningful words that never stay too long are similar to life. Events happen in people’s life, people eventually move on.

 

            Lastly, the use of shapes in the piece of art allows the viewers to easily visualize the power of the one word lines and the break the strip of green gives. The oddly shaped shape around every one word line in the page gives the word an image of quick and sudden power. The shape is similar to an explosion, powerful but quickly over. The explosive color along with shape suggests action and excitement, like a fight scene in a comic strip. The shape is random and never exactly the same, similar to the words in the bubble, it represents the unpredictability of life. The melancholy straight lines and the green color are be over-shadowed by the explosive shapes. The straight lines give a small break, but also quickly moves on to the random shapes again. The shapes mimics life’s tendency to never stay the same for long periods of time.

           

            Life never sits stills and never stays the same for long. The image of page 92 supports the fact about life. Life never stays a relaxed blue, but randomly explodes with the red of excitement throughout life. Life is also never one experience, similar to how the image never shows one word in an ordered way. The words also quick and random similar to events in life. The random explosive shapes mimics life in the way that it is never the same. Life is not static but random, colorful, and quick like the image on page 92.

 

 

The Experience Outside of Portraits

Andy Vo

11/24/08

Period 2

The Experience Outside of Portraits

 

 

            Sometimes life cannot be fully described in portraits, statues, and pieces of art. In the poem “Having a Coke with You,” the author Frank O’hara suggests that the reader should look for the full experience of life by finding someone to love. O’hara creates this meaning by his descriptive diction, comparisons, and making connections with artists and pieces of art in the world.

 

            O’hara uses descriptive diction to describe speaker’s love for his significant other to show the experience the speaker have by being with her. In the first stanza, the speaker describes why he would rather have a coke with his significant other rather than traveling to interesting cities in the world. O’hara uses words that describe the girl in a positive and bright way. The speaker says that part of the reason he would rather spend time with her rather than traveling is “because in your orange shirt you look like a better happier St. Sebastian.”(Line 3) The use of the word “orange” and “happier” makes the reader see that the girl allows the speaker to have a brighter day just by being with her. The speaker describes his love as someone who “move so beautifully,” (Line 17) which gives the image of graceful and beautiful woman. The choice of words to describes the speaker’s love as a breath of fresh air that brightens the speaker’s life.

           

O’hara also uses comparisons between the pieces of art to the speaker’s love to show what affect the girl can give to the speaker, which the piece of art cannot. The speaker describes “the portrait show seems to have no faces in it at all, just paint.” (Line 11) Pieces of arts like portraits cannot give the same affect as a real human. O’hara shows the comparison between the girl and portraits that the speaker calls “paint” to show that the speaker love is much more than a piece of art. O’hara included in his poem how the woman “move so beautifully,” (Line 17) which is something that statues cannot do. O’hara creates comparisons between the still and lifeless pieces of art that are in the end “just paint,” to the lively and real human that gives much more to the speaker than piece of art could do.

 

Lastly, O’hara makes connections to pieces of art to show the missing experience that the piece of art gives. O’hara includes pieces of art such as the “Nude Descending a Staircase” or the “Horseman” which is lacking the human image in pieces of art. The piece of art cannot give the experience that another human can give. The “single drawing of Leonardo or Michelangelo” (Line 19) cannot “wow” the speaker anymore compared to his significant other. O’hara also picks fun at the ability of the Impressionists when they don’t have the “right person to stand near the tree when the sun sank” (Line 21). When these pieces of art lack the human image it needs, it is “cheated of some marvelous experience.” (Line 24) Using examples of art that is missing the human image is missing an experience that is important to life.

 

Frank O’hara gives the message in the poem that people should fully experience life by finding love with another person. He uses the diction of bright and happy images to describe the speakers love and her ability to brighten his day by just simply drinking Coke with him. O’hara also compared the speaker’s significant other to art to show that the speaker’s love is able to give an experience that art cannot give. Lastly, O’hara describes pieces of art that lack the human image and because of that, the art is lacking something incredible. In the end, without being in love with someone, people are lacking an amazing experience that cannot be painted. 

Sunday, October 26, 2008

Rieckhoff meta-cognition

Andy Vo
Period 2
10/13/08
Meta-cognition

How did I start the process?
- I first began by making a chart of how Rieckhoff writes. I wrote down anything that suggested his writing style next to his name. For example I noticed he was sarcastic and very emotionally open with the readers.
What stimulated my ideas?
- The first chapter gave a strong idea of what I should be writing. Rieckhoff uses a lot of adjectives, emotion, sarcasm, and goes back though his life to explain things.
Who is my audience and what is my purpose?
- My audience is to normal readers looking for a story to be entertained with. My purpose is to fully show my adventure to St. Vincent right down to my emotions.
What trouble did I have?
- I had trouble putting the same amount of back story and description as Rieckhoff did. He wrote in a very vivid way that was easy to understand by any reader. 
What road blocks did I face and how did I eliminate them?
- I had trouble knowing when to exactly place background information and descriptive passages. To get around the road blocks I needed to reread some of the passages in “Chasing Ghosts” to think about how he uses descriptions.
What is my paper’s strength?
- I felt like I had the tone of Rieckhoff’s “Chasing Ghosts.” In my paper I created a serious and somewhat sarcastic tone. I was especially proud of the “emergency water landing” quote/
What is my paper’s weakness?
- Reading back on it recently, the paper still sounds too much like my own writing style. It doesn’t exactly have Rieckhoff’s writing style in word choice
What goals do I have for future writing?
- I need to improve on my word choice. I tend to over use simple words often in my paper. I also need to concentrate on choosing the write words for each moment.